Tag Archives: Rachel Dickstein

Writing Mukhtar Mai’s Story

Kamala Sankaram as Mukhtar Mai in Thumbprint; Photo: Noah Stern Weber / Beth Morrison Projects

Kamala Sankaram as Mukhtar Mai in Thumbprint; Photo: Noah Stern Weber / Beth Morrison Projects

NEWS: We’re thrilled and honored that Mukhtar Mai – whose historic bravery inspired “Thumbprint” – is traveling from Pakistan to witness her story told and join us for the talkbacks after each performance. If you don’t have a ticket yet, this is your chance to be part of this powerful moment.

After a brutal attack meant to destroy her, Mukhtar Mai became the first woman in Pakistan to bring her rapists to justice. Since then, Mai has become an international icon for women’s rights. She used the reparations money she received from the government to build schools for girls and continues to support women through her Mukhtar Mai Women’s Organization. Mai’s story resonates beyond borders in its implicit belief that even in the darkest times, one person, one voice, through a single act of courage, can change the lives of thousands.

Writer Susan Yankowitz has told Mai’s story for over a decade – as a monologue, then part of a play called Seven and now in the opera Thumbprint.
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Directing Thumbprint

A scene from the 2014 premiere production of Thumbprint; Photo: Noah Stern Weber / Beth Morrison Productions

A scene from the 2014 premiere production of Thumbprint; Photo: Noah Stern Weber / Beth Morrison Productions

NEWS: We’re thrilled and honored that Mukhtar Mai – whose historic bravery inspired “Thumbprint” – is traveling from Pakistan to witness her story told and join us for the talkbacks after each performance. If you don’t have a ticket yet, this is your chance to be part of this powerful moment.

Thumbprint tracks the extraordinary transformation of Mukhtar Mai. As a young woman in Pakistan, Mai is the victim of a brutal crime meant to destroy her. With incredible courage, Mai reports the crime, brings her perpetrators to justice, and becomes an international champion for women’s rights in Pakistan.

Rather than track Mai’s transformation in a literal fashion – with events happening on stage chronologically – director Rachel Dickstein brings Mai’s story to life in a different way that serves the opera’s impressionistic structure.

“When I first came on to Thumbprint, I was drawn to the impressionistic structure that Kamala and Susan had created,” recalls Dickstein. “Mai’s story does not unfold in a traditional or literal way. Everything that happens is from Mai’s perspective so therefore told through the lens of memory.”

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