Tag Archives: Podcast

Hear Morris Robinson Discuss His Journey to the Opera Stage

Morris Robinson; Photo: Ron Cadiz

Morris Robinson; Photo: Ron Cadiz

On January 28, Morris Robinson returns to LA Opera as Osmin in Mozart’s The Abduction from the Seraglio. The talented bass has sung in the world’s greatest opera houses in the last decade, but he did not always dream about a career in opera.

Morris Robinson as Osmin (left) and Brenton Ryan as Pedrillo in The Abduction from the Seraglio (2017); Photo: Craig T. Mathew

Morris Robinson as Osmin (left) and Brenton Ryan as Pedrillo in The Abduction from the Seraglio (2017); Photo: Craig T. Mathew

In this edition of our collaboration with Living with A Genius, hear Robinson discuss Osmin and what led him to become an opera singer.

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Omar Crook on LA Opera and Living With A Genius

Omar Crook

Omar Crook; Photo: Marc Royce

LA Opera chorister Omar Crook has appreciated opera since he was a child, spending summers roaming the creaky corridors of his grandparents’ house.

“My grandfather had a really nice tape player. One day, I came across the iconic Decca recording of Luciano Pavarotti singing Canio in Pagliacci,” says Crook. “I had just finished playing Billy Idol’s ‘Eyes Without a Face,’ and I was jazzed up. Then, I played all of Pagliacci and the music grabbed me just as much.”

Crook did not immediately pursue opera. In fact, he spent several years narrowing down the careers he wanted, taking a variety of classes from literature to marine biology. He ultimately decided on writing and was accepted into UCLA’s creative writing program. To transfer to UCLA from Santa Monica college, he needed to fulfill one more requirement. That’s how Crook found himself in a beginning voice class.

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Speranza Scappucci Searches for Puccini’s Truth in La Bohème

Speranza Scappucci; Photo: Dario Acosta

Speranza Scappucci; Photo: Silvia Lelli

Speranza Scappucci is one of opera’s rising conducting stars. Since making her debut in 2012 conducting Mozart’s Così fan tutte at the Yale Opera, Scappucci has conducted around the world, including at Finnish National Opera, Washington National Opera and Scottish Opera. She did not always know that her destiny was to conduct.

Speranza Scappucci conducting a gala concert, starring soprano Marina Rebeka to celebrate the opening of Great Amber, the new concert hall in Liepāja, Latvia.

Speranza Scappucci conducting a gala concert, starring soprano Marina Rebeka to celebrate the
opening of Great Amber, the new concert hall in Liepāja, Latvia.

This month, Scappucci makes her LA Opera debut conducting six performances of Puccini’s La Bohème. It’s a piece that Scappucci knows really well (she coached the piece for 20 years), but that does not stop her from finding new things in Puccini’s masterpiece. Scappucci discovers these new things by extensively revisiting the score, as if it’s the first time she’s approaching it.

Born and raised in Rome, Scappucci moved to New York at age 20 to study piano at The Juilliard School. She received a master’s at Juilliard in collaborative piano and went on to brilliant career as a coach and assistant conductor. For 15 years, Scappucci was a familiar face in the world’s top opera houses, coaching both rising stars and famous opera singers, and also working as an assistant conductor for some of the world’s most renowned conductors – Riccardo Muti, Zubin Mehta, Seiji Ozawa, Daniele Gatti, and James Levine.

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