Tag Archives: Nicholas Brownlee
By the time bass-baritone Nicholas Brownlee finishes his second season in LA Opera’s Domingo-Colburn-Stein Young Artist Program, he will have appeared in six different productions with the company. His is the robust voice audiences have heard from off stage in Moby-Dick and The Magic Flute and on stage in Madame Butterfly. He’s also the singer they will see in such diverse roles as Colline in the current production of La Bohème and as Cesare Angelotti in next season’s Tosca. While the 2015 Met Council Winner may sound and look at home on stage now, he did not always want to pursue a career in opera.
“I was always into performing, whether it was on the football field – I’m a super sports guy – or in choir,” says Brownlee, who originally wanted to be a choral conductor. That all changed when he had his first opera experience.