Tag Archives: Music Director

James Conlon, Celebrating 10 Years at LA Opera (and Ready for More)

James Conlon; Photo: Chester Higgins

James Conlon; Photo: Chester Higgins

This season, James Conlon celebrates ten years as LA Opera’s Richard Seaver Music Director. Throughout the past decade, he has led the orchestra through more than fifty operas, from the great masterpieces of Mozart, Verdi and Wagner to contemporary works like The Ghosts of Versailles and Moby-Dick, and will continue do so for several years to come. On the heels of a contract renewal that will have him at the podium through the 2020/2021 season, we sat down with Maestro Conlon to discuss his life in classical music and what he loves most about opera in Los Angeles.

What inspired you to become a conductor?

It wasn’t a single person but, instead, a series of events that inspired me to become a classical musician. I went to the opera for the first time in 1961. I was 11 and the experience transformed my life within months. I wanted to hear classical music day and night. Soon I was studying piano and violin. I also began singing in the children’s choir of a small New York City opera company. A few years later, I decided I wanted to be a conductor, at which point every career decision I made focused on that goal. At 22, I graduated from The Julliard School and my professional life as a conductor was on its way.

Maestro James Conlon conducting Don Pasquale at The Julliard School in 1972; Photo: Beth Bergman

Maestro James Conlon conducting Don Pasquale at The Julliard School in 1972; Photo: Beth Bergman

What are the greatest challenges you faced in the field and how did you overcome them?

The greatest challenge I faced when I was starting out was proving myself as a young conductor in both symphonic and operatic institutions. Unlike today’s world, which now welcomes young conductors, it was just the opposite when I started out. I also faced the challenges of both proving myself in Europe as a qualified American conductor (and a young American conductor to boot), and additionally proving myself in the United States, which has historically preferred foreign (mostly European) conductors.

How did I master these challenges? I simply devoted myself to my work: Seriously. Relentlessly. Passionately. At a certain point, conducting ceased to be a career and became a way of life—something that still holds true today.

… Continue reading

Posted in Faces of the Opera | Tagged , , | Comments Off on James Conlon, Celebrating 10 Years at LA Opera (and Ready for More)