Tag Archives: Los Angeles

Want to win an exclusive LA Opera backstage experience?

What do you love lead image

What do you love about opera in Los Angeles? If you’re reading this, you’ve probably seen an opera. Whether it’s been at the Dorothy Chandler Pavilion or about town, we want to share your love of it with new fans. What is it about operas in Los Angeles that you love? Is it the film-inspired opera productions, or even the various locations you can go to see an opera?

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7 Questions with Jay Hunter Morris

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Jay Hunter Morris as Captain Ahab in San Francisco Opera’s 2013 production of Moby-Dick

This Halloween, Jay Hunter Morris reprises his role as Captain Ahab in Jake Heggie’s Moby-Dick. It will be the first time he’s performed the opera in Los Angeles, coming fresh from a year of tremendous roles in The Flying Dutchman and Cold Mountain. Here’s our Jay Hunter Morris Edition of Questions.

What’s it like to revisit the role of Ahab for the 4th time?

Thrilling. Ahab is #1 on my wish list every year. The music has been simmering in my mind, and I can’t wait to try again, there are so many options for me as a singer!

Ahab is complex, to say the least. What do you like best about the role?

The madness. Can you imagine the horror of being attacked by such a sea beast, surviving in those days, the agony endured, the festering, acidic anger, the single-minded drive for revenge? AND, I must embody the power, the charm and charisma that he must wield in order to lead grown men willingly to their death. It’s a mighty task, a privilege granted to few, and I am so grateful to step into his cloak once again.

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The Staging of an Opera Company

Minutes before the curtain rose on LA Opera’s 1986 production of Otello, Plácido Domingo stood in the wings, ready to make his entrance in one of his signature roles. He had triumphantly sung Verdi’s tragic hero for audiences around the world, and was widely renowned as the preeminent Otello of his generation. Yet this performance carried a special significance for the tenor. It would be the very first performance in LA Opera’s inaugural season. Full of anticipation, Domingo was eager to showcase to the Los Angeles community, and the greater opera world, what this city could create.

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Plácido Domingo as the title character in Otello (1986)

As conductor Lawrence Foster ushered in the sound of the orchestra to begin the opera, the curtain flew up swiftly. To the surprise of everyone present, the curtain rose halfway and no further. The show went on, and within minutes, the curtain arrived in its designated place, functioning properly for the rest of the stunning premiere.

The curtain’s antics prodded Los Angeles Times music critic Martin Bernheimer to ask, “Los Angeles Opera starts, and the curtain goes halfway up and gets stuck, is that what is going to happen to our opera company?”

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#LAO30Images Iconic Productions Day 2: Tristan und Isolde

David Hockney’s 1987 Tristan und Isolde came out of a newly formed company looking to innovate and connect with the Los Angeles community. It was an LA affair with bold, wildly colored sets (designed in Hockney’s Hollywood Hills studio), a west coast born and bred cast, including stunning soprano, Jeannine Altmeyer, and Zubin Mehta vibrantly conducting the LA Philharmonic in the pit.

William Johns as Tristan and Jeannine Altmeyer as Isolde in Tristan und Isolde; Photo Credit: Frederic Ohringer

William Johns as Tristan and Jeannine Altmeyer as Isolde in Tristan und Isolde; Photo Credit: Frederic Ohringer

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ARIA: The Trendiest Ticket In Town

ARIA Kickoff GuestsLast night, we kicked off this year’s ARIA season. Guests wined, dined, and took a break from the heat poolside underneath lit up palm trees at Mr. C Hotel in Beverly Hills. Everyone looked dashing, chatting about the upcoming season and looking forward to the many operatic adventures to come.

Haven’t heard of ARIA? It’s LA Opera’s gem of a club for young professionals, ages 21-35. During an ARIA Night at the Opera, members see a show at the Dorothy Chandler Pavilion, and then head to an exclusive after-party with cocktails and hors d’oeuvres to cap off a great evening in style. Often times, members get to meet the artists they’ve just watched on stage as they make their way to the post-opera festivities.

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