Tag Archives: Lee Blakeley

Opera Prep Shows Students Future Career Possibilities

Lee Blakeley (director of last season's Madame Butterfly) talks to Opera Prep students about his career.

Lee Blakeley (director of last season’s Madame Butterfly) talks to Opera Prep students about his career.

LA Opera has several education and community programs geared towards teachers and students and offering them a taste of the many careers students can pursue in the future. Opera Prep is one of those programs. It offers teachers the opportunity to bring their students to the opera and introduce them to some of the most talented professionals in the arts world. … Continue reading

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Everything You’ve Ever Wanted To Know About Madame Butterfly

title character in Madame Butterfly (2016); Photo: Ken Howard

Ana María Martínez as the title character in Madame Butterfly (2016); Photo: Ken Howard

Madame Butterfly takes flight one last time on April 3, wowing audiences with amazing voices and interesting staging. In case you’ve missed the Madame Butterfly love these past few weeks, we’ve collected a bunch of articles and a video for you to check out and see why Madame Butterfly is a Puccini masterpiece.

Get To Know Madame Butterfly

Lee Blakeley Talks Directing “The Humming Chorus”

“The Humming Chorus” is a rare moment of peace in the tragic love story that is Puccini’s Madame Butterfly. In the scene, Butterfly does not sing or move for three minutes. She holds a silent vigil, waiting for Pinkerton (her American husband) to return, while an off-stage chorus sings wordlessly. “The Humming Chorus” carries an enormous amount of emotional weight, highlighted in LA Opera’s current production by director Lee Blakeley’s novel take on which character the scene belongs to.

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Lee Blakeley Talks Directing “The Humming Chorus”

Madame Butterfly (2016); Photo: Ken Howard

Madame Butterfly (2016); Photo: Ken Howard

“The Humming Chorus” is a rare moment of peace in the tragic love story that is Puccini’s Madame Butterfly. In the scene, Butterfly does not sing or move for three minutes. She holds a silent vigil, waiting for Pinkerton (her American husband) to return, while an off-stage chorus sings. “The Humming Chorus” is a scene that carries an enormous amount of emotional weight, highlighted in LA Opera’s current production by director Lee Blakeley’s novel take on which character the scene belongs to.

For Blakeley, whether he is directing theater or opera, it is all about storytelling. When he signed on to direct this production of Puccini’s Madame Butterfly, he went back to basics. His primary job in the early stages of directing was to answer the question, “What do you strip away to find the essential truth of the piece?” He knew the first thing he had to do was rid himself of any preconceived notions of what the opera could be, which can be difficult with such a familiar work as Butterfly. With a blank sheet of paper and the libretto, he listened to Puccini’s music, while working through the text.

Blakeley came to understand that the essential truth – or theme – of Madame Butterfly is “loyalty in the face of adversity.” That singular theme informed all of Blakeley’s directorial choices for this production, whether it was the decisions he preplanned (for example, updating the setting to 1904, the year the opera premiered) or choices he “discovered along the way,” while working with singers.

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