Tag Archives: Lady Macbeth
Costumes are one of the best ways to express character – be it on screen or on stage. In Macbeth, costumes tell a tale of humble beginnings to unbridled horror, but it’s not just fabric and jewels that bring a character to life. It is how all the costume elements come together to showcase each character’s evolution. With its complex characters and designed by Suttirat Larlarb, LA Opera’s upcoming production of Verdi’s Macbeth perfectly illustrates how costumes and character meet.
Let’s take Lady Macbeth’s costumes as an example.
When Lady Macbeth first comes on stage, her costume is fairly simple (a t-shape common during the medieval period) and does not reflect affluence. She’s wearing earth tones; it’s the costume of a soldier’s wife, but also suggestive of the social climbing to come (a hint of green silk).
Opera is filled with stories of betrayal, murder, and love that push characters to emotional extremes. Heroines (and anti-heroines) are often the characters most caught up in the drama. They love passionately, sacrifice greatly, and kill relentlessly. We’ve created a list of ten multifaceted women, who aren’t afraid to lean in and stir the plot; they’re bold, brave and influential, even if it leads to their untimely death. See some of these fierce ladies at LA Opera this season and next season.
In Verdi’s Macbeth (based on the Shakespeare play), Lady Macbeth takes fierce to a whole new level. After learning of her husband’s victory in battle, she urges him to kill the king and take the crown. Macbeth does so, only to be filled with remorse. It is Lady Macbeth who completes the killing and frames two guards for the king’s murder. She wants power and social standing and will stop at nothing to achieve this. Verdi expands the role of “Lady M” in his opera, giving her character even more agency, and making her the epitome of an opera anti-heroine not to mess with. She might murder you, if you do!
Is Brünnhilde the strongest women in the entire opera repertory? She is after all the central character in Richard Wagner’s monumental Ring cycle, appearing in three of the four Ring operas. A complex and compelling woman with a fascinating character arc, she is defined by her bravery and intelligence. She grasps what is happening in the world with keener perception than her father (Wotan, king of the gods) or her husband (the mighty-but-unintellectual hero Siegfried) and she is unafraid to take action to do what she thinks is necessary. Like many other Wagner heroines, she makes the ultimate sacrifice for love, but Brünnhilde’s martyrdom has the greatest impact: hers redeems the entire world.