Tag Archives: LA Opera Orchestra
Salome is one of the most challenging operas to play. Musicians are tasked with a score that pushes the limits of what’s considered playable for an orchestra. LA Opera Orchestra Principal Bassoonist William May had a further challenge. In less than a year, May learned a rare instrument to play in Salome – the heckelphone.
The story of how David Washburn found the trumpet has become a family legend.
David’s father, an engineering professor, played cornet. He eventually gave that cornet to a friend. One evening, while the Washburns were visiting this friend, someone brought out the cornet. Little David gave it a go. After one lesson, his father’s friend exclaimed: “You’d better get him a trumpet!”
For 20 years, LA Opera Orchestra members have been greeted by a very special fan on their way to nearly every performance. Near the Artists Entrance, Tony stands as a sentinel watching and wishing each member well before they enter the opera house and the pit.
“It’s almost a pre-show ritual for some of us,” says Brady Steel, Orchestra Personnel Manager.
What happens when members of the LA Opera Orchestra rise up and break out of the depths of the orchestra pit?
A Pittance concert!
Pittance Chamber Music was created in 2013 by LA Opera Orchestra Assistant Concertmaster Lisa Sutton, who wanted to showcase the gifted artists who perform below the stage, where they are heard but mostly unseen. Since then, Pittance has expanded its ranks to include members of the Domingo-Colburn-Stein Young Artist Program, as well as members of the Los Angeles Opera Chorus.
Like many musicians in the LA Opera Orchestra, French horn player Daniel Kelley plays on the soundtracks for some of the world’s major films. He’s played in the orchestra for scores of blockbuster movies from Star Wars to Pirates of the Caribbean, and even worked with his hero, composer John Williams, on ten films including the Academy Award-winning JFK. Since the 1993, Kelley has worked at LA Opera first as a freelance French horn player and then as a full member of the LA Opera Orchestra.
“Out of all the jobs I do, opera has become my favorite,” says Kelley. “I just love being here and all the members of the horn section get along. It’s almost like going home to work with the other three players.”
“I love the oboe for its many colors and expressiveness. On very rare occasions, when the reed and the instrument are working just right, the instrument becomes an extension of myself. I feel vulnerable, yet I stay in the moment as nerves and distractions disappear. It is an incredible experience!”
The oboe itself is finicky. A screw can come loose, a crack can form, a pad can break off or an adjustment may shift. During performances, Jennifer keeps a tool bag under her chair with screwdrivers and superglue for just those occasions.