Tag Archives: Isabelle Eberhardt

Opera Heroines Not To Mess With

Opera is filled with stories of betrayal, murder, and love that push characters to emotional extremes. Heroines (and anti-heroines) are often the characters most caught up in the drama. They love passionately, sacrifice greatly, and kill relentlessly.  We’ve created a list of ten multifaceted women, who aren’t afraid to lean in and stir the plot; they’re bold, brave and influential, even if it leads to their untimely death. See some of these fierce ladies at LA Opera this season and next season.

Lady Macbeth

Ekaterina Semenchuk as Lady Macbeth and Plácido Domingo as the title character in Macbeth (2016); Photo: Karen Almond

Ekaterina Semenchuk as Lady Macbeth and Plácido Domingo as the title character in Macbeth (2016); Photo: Karen Almond

In Verdi’s Macbeth (based on the Shakespeare play), Lady Macbeth takes fierce to a whole new level. After learning of her husband’s victory in battle, she urges him to kill the king and take the crown. Macbeth does so, only to be filled with remorse. It is Lady Macbeth who completes the killing and frames two guards for the king’s murder. She wants power and social standing and will stop at nothing to achieve this. Verdi expands the role of “Lady M” in his opera, giving her character even more agency, and making her the epitome of an opera anti-heroine not to mess with. She might murder you, if you do!

Brünnhilde

Brunnhilde (Linda Watson) with Waltraute (Michelle DeYoung, rear left) in Gotterdammerung (2010); Photo: Monika Rittershaus

Brunnhilde (Linda Watson) with Waltraute (Michelle DeYoung, rear left) in Gotterdammerung (2010); Photo: Monika Rittershaus

Is Brünnhilde the strongest women in the entire opera repertory?  She is after all the central character in Richard Wagner’s monumental Ring cycle, appearing in three of the four Ring operas. A complex and compelling woman with a fascinating character arc, she is defined by her bravery and intelligence. She grasps what is happening in the world with keener perception than her father (Wotan, king of the gods) or her husband (the mighty-but-unintellectual hero Siegfried) and she is unafraid to take action to do what she thinks is necessary. Like many other Wagner heroines, she makes the ultimate sacrifice for love, but Brünnhilde’s martyrdom has the greatest impact: hers redeems the entire world.

… Continue reading

Posted in Did You Know? | Tagged , , , , , , , | 1 Comment

Abigail Fischer Explores the Mind of Isabelle Eberhardt

Abigail Fischer as Isabelle Eberhardt in Song from the Uproar (2015); Photo: Craig T. Mathew

Abigail Fischer as Isabelle Eberhardt in Song from the Uproar (2015); Photo: Craig T. Mathew

“An opera begins long before the curtain goes up and ends long after it has come down. It starts in my imagination, it becomes my life, and it stays part of my life long after I’ve left the opera house.”

– Maria Callas

Opera is a place where all other art forms – art, film, even dance – meet to create a spectacular production. This is a convergence that’s very familiar to mezzo-soprano Abigail Fischer, who plays Isabelle Eberhardt in Missy Mazzoli’s Song from the Uproar. Fischer utilizes various artistic talents in the multimedia opera now showing at REDCAT. It is her haunting singing, however, that mesmerizes throughout the 75-minute opera.

“Singing is a very intimate art form. It’s very connected to the deepest parts of you. You really have to know yourself,” says Fischer. The intimacy of singing – and truly all performance – is heightened in Song from the Uproar, because of its abstractness. Fischer plays Isabelle Eberhardt solely, but there is also a “Chorus of Isabelles” that alternatively showcases Eberhardt’s emotions. There’s a strong synergy between the chorus members and Fischer to the point where they repeat each other’s dance moves and lyrics. Together, they illustrate the evolving psyche of a complicated woman, her many lives, and her many deaths.

https://www.youtube.com/watch?v=4P2pH3qhYpM

… Continue reading

Posted in About Our Shows, Opera About Town | Tagged , , , , | Comments Off on Abigail Fischer Explores the Mind of Isabelle Eberhardt

Missy’s Song from the Uproar

Abigail Fischer as Isabelle Eberhardt in Song from the Uproar (2015); Photo Credit: James Matthew Daniel

Abigail Fischer as Isabelle Eberhardt in Song from the Uproar (2015); Photo Credit: James Matthew Daniel

“A nomad I will remain for life, in love with distant and unchartered places.” – Isabelle Eberhardt

In May 1897, an adventurous Swiss woman named Isabelle Eberhardt relocated to North Africa. There she went down a path of self-discovery very atypical for a woman of her time. Eberhardt lived her life to the fullest. She reveled in her time alone experiencing the desert just as much as she adored discussing Islam with members of the Sufi order she joined called Qadiriyaa.

Missy Mazzoli (right) with Director Gia Forakis (center) and singer Abigail Fischer (left)

Missy Mazzoli (right) with Director Gia Forakis (center) and singer Abigail Fischer (left)

Eberhardt also romanced and eventually married an Algerian soldier with whom she had a sometimes tender, sometimes tumultuous relationship. Tragically, her extraordinary life ended at the age of 27 when a flash flood roared through the Algerian province of Aïn Séfra. Yet, elements of Isabelle’s life have been immortalized in the words of her journals, which were published posthumously.

Eleven years ago, composer Missy Mazzoli picked up a copy of Isabelle’s journals in a Boston bookstore and read the following passage:

“On days when I have no money, I am a vagabond on the road, enjoying the reflections of gold and scarlet sunset on the white dunes. The grave alone can rob me of such wealth, not man. If I am allowed the time it takes to write the odd fragment of a description, it may even survive the minds of some.”

Eberhardt’s words stopped Mazzoli in her tracks and “haunted her for years.” This Thursday, Mazzoli’s Song from the Uproar has its west coast premiere, brought to Los Angeles through a partnership between LA Opera and producer Beth Morrison Projects.

https://www.youtube.com/watch?v=4P2pH3qhYpM

… Continue reading

Posted in About Our Shows, Opera About Town | Tagged , , , , , , , , , | Comments Off on Missy’s Song from the Uproar

“You Are The Dust” from Song from the Uproar

https://youtu.be/cjhuxMwXreU

Watch “You Are The Dust” from Song from the Uproar above

… Continue reading

Posted in Videos | Tagged , , , , | Comments Off on “You Are The Dust” from Song from the Uproar

Song from the Uproar: About Isabelle Eberhardt

https://youtu.be/sBSv5z9rZaA

Learn about Isabelle Eberhardt and Song from the Uproar above

… Continue reading

Posted in Videos | Tagged , , , , | Comments Off on Song from the Uproar: About Isabelle Eberhardt

LA Opera and Beth Morrison Bring New York’s Indie Opera Scene West

Anatomy Theater (2016)

Anatomy Theater (2016)

In the aftermath of a war that ravaged America, a family clings to their existence; teenaged Lisa holds onto the hope of a better world as her family spirals into the depths of starvation and despair. When a stranger – a man who acts like and thinks of himself as a dog – arrives on her doorstep, they are forced to confront what it means to be human and what they will do to survive.

The above summary may sound like the logline of a post-apocalyptic thriller, but it is not a film.

It’s a multi-media opera.

Yes, opera.

LA Opera presented Dog Days in June at REDCAT as part of the Off Grand initiative, which brings thrilling contemporary chamber opera to LAO audiences. It was the west coast premiere of the opera, developed and produced by Beth Morrison Projects in New York. Inventive, thrillingly evocative of the human condition, and visceral, Dog Days has garnered a great deal of interest in the burgeoning indie opera scene.

Now, LA Opera and Beth Morrison have joined forces again to present two of Beth Morrison Projects’ (BMP) operas this season at REDCAT: Song from the Uproar and Anatomy Theater. Combining live musical performance and original film, Song from the Uproar (October 8-11), tells the incredible story of Isabelle Eberhardt (1877-1904), a young woman who left her life in Switzerland behind for an unfettered existence in the North African desert. Anatomy Theater follows the astonishing progression of an English murderess: from confession to execution and, ultimately, public dissection before a paying audience of fascinated onlookers. Through the miracle of opera, she sings through it all.

Abigal Fischer as Isabelle Eberhardt in Song from the Uproar (2015); Photo: Craig T. Mathew

Abigal Fischer as Isabelle Eberhardt in Song from the Uproar (2015); Photo: Craig T. Mathew

… Continue reading

Posted in About Our Shows, Opera About Town | Tagged , , , , , , , , , , | 3 Comments