Tag Archives: Isabelle Eberhardt
Opera is filled with stories of betrayal, murder, and love that push characters to emotional extremes. Heroines (and anti-heroines) are often the characters most caught up in the drama. They love passionately, sacrifice greatly, and kill relentlessly. We’ve created a list of ten multifaceted women, who aren’t afraid to lean in and stir the plot; they’re bold, brave and influential, even if it leads to their untimely death. See some of these fierce ladies at LA Opera this season and next season.
In Verdi’s Macbeth (based on the Shakespeare play), Lady Macbeth takes fierce to a whole new level. After learning of her husband’s victory in battle, she urges him to kill the king and take the crown. Macbeth does so, only to be filled with remorse. It is Lady Macbeth who completes the killing and frames two guards for the king’s murder. She wants power and social standing and will stop at nothing to achieve this. Verdi expands the role of “Lady M” in his opera, giving her character even more agency, and making her the epitome of an opera anti-heroine not to mess with. She might murder you, if you do!
Is Brünnhilde the strongest women in the entire opera repertory? She is after all the central character in Richard Wagner’s monumental Ring cycle, appearing in three of the four Ring operas. A complex and compelling woman with a fascinating character arc, she is defined by her bravery and intelligence. She grasps what is happening in the world with keener perception than her father (Wotan, king of the gods) or her husband (the mighty-but-unintellectual hero Siegfried) and she is unafraid to take action to do what she thinks is necessary. Like many other Wagner heroines, she makes the ultimate sacrifice for love, but Brünnhilde’s martyrdom has the greatest impact: hers redeems the entire world.
“An opera begins long before the curtain goes up and ends long after it has come down. It starts in my imagination, it becomes my life, and it stays part of my life long after I’ve left the opera house.”
– Maria Callas
Opera is a place where all other art forms – art, film, even dance – meet to create a spectacular production. This is a convergence that’s very familiar to mezzo-soprano Abigail Fischer, who plays Isabelle Eberhardt in Missy Mazzoli’s Song from the Uproar. Fischer utilizes various artistic talents in the multimedia opera now showing at REDCAT. It is her haunting singing, however, that mesmerizes throughout the 75-minute opera.
“Singing is a very intimate art form. It’s very connected to the deepest parts of you. You really have to know yourself,” says Fischer. The intimacy of singing – and truly all performance – is heightened in Song from the Uproar, because of its abstractness. Fischer plays Isabelle Eberhardt solely, but there is also a “Chorus of Isabelles” that alternatively showcases Eberhardt’s emotions. There’s a strong synergy between the chorus members and Fischer to the point where they repeat each other’s dance moves and lyrics. Together, they illustrate the evolving psyche of a complicated woman, her many lives, and her many deaths.
Watch “You Are The Dust” from Song from the Uproar above
Learn about Isabelle Eberhardt and Song from the Uproar above
In the aftermath of a war that ravaged America, a family clings to their existence; teenaged Lisa holds onto the hope of a better world as her family spirals into the depths of starvation and despair. When a stranger – a man who acts like and thinks of himself as a dog – arrives on her doorstep, they are forced to confront what it means to be human and what they will do to survive.
The above summary may sound like the logline of a post-apocalyptic thriller, but it is not a film.
It’s a multi-media opera.
LA Opera presented Dog Days in June at REDCAT as part of the Off Grand initiative, which brings thrilling contemporary chamber opera to LAO audiences. It was the west coast premiere of the opera, developed and produced by Beth Morrison Projects in New York. Inventive, thrillingly evocative of the human condition, and visceral, Dog Days has garnered a great deal of interest in the burgeoning indie opera scene.
Now, LA Opera and Beth Morrison have joined forces again to present two of Beth Morrison Projects’ (BMP) operas this season at REDCAT: Song from the Uproar and Anatomy Theater. Combining live musical performance and original film, Song from the Uproar (October 8-11), tells the incredible story of Isabelle Eberhardt (1877-1904), a young woman who left her life in Switzerland behind for an unfettered existence in the North African desert. Anatomy Theater follows the astonishing progression of an English murderess: from confession to execution and, ultimately, public dissection before a paying audience of fascinated onlookers. Through the miracle of opera, she sings through it all.