Tag Archives: Francesca Zambello
“[In the 1990s,] we flew to [Gabriel García Márquez’s] walled compound deep in the jungle near Cartagena in an open helicopter with protection from guards armed with machine guns. We landed on a helipad near his compound and went through the underbrush in a jeep with our protectors. If that was not enough of a thriller, then meeting and working with Márquez is a memory for life. You could see the essence of his very being was like the magical realism that spilled onto the pages of his novels.” – Stage Director Francesca Zambello on Gabriel García Márquez’s influence on developing Florencia en el Amazonas (1997)
What is our personal duty to the state? How can a sense of history move a nation forward?
The 1991-1992 season brought two epic productions to the LA Opera stage: – Hector Berlioz’s The Trojans and Aulis Sallinen’s Kullervo – that ask these questions about personal duty and nationhood.
The Trojans is based on Virgil’s The Aeneid, following the capture of Troy in by the Ancient Greeks as well as the Trojans’ time in Carthage before the forming of Rome. A vast undertaking, The Trojans is a four-hour masterpiece, rarely staged at the time LA Opera put on the production. Director Francesca Zambello discussed its relevance to modern audiences: