Tag Archives: Community
The Dorothy Chandler Pavilion is not the only place in Los Angeles where you can experience an LA Opera production. You can see our productions at REDCAT, inside the Cathedral of Our Lady of the Angels, and even at Santa Monica Pier. LA Opera has many programs and initiatives that bring opera to various locations in the county and make sure everyone has access to opera.
In partnership with the County of Los Angeles Public Library and with generous support provided by former Los Angeles County Supervisor Don Knabe (4th district) and Supervisor Hilda Solis (1st district), LA Opera brings professional opera singers to libraries around Los Angeles to perform musical moments from the most celebrated operas for families. Next month’s Puccini Opera Tales has the singers recounting tales from The Girl of the Golden West, Gianni Schicchi, and Turandot, as told by Giacomo Puccini himself.
The tradition of opening one’s home up to visitors, welcoming them in to explore and discover and become a part of the intimate environment, has been an evolving part of community living for centuries. Open house history dates back at least as far as biblical times and exists in many cultural and religious customs. From weddings to wakes, royalty to presidents, realtors to school teachers, these communal celebrations are an opportunity to welcome guests into your space and share something—knowledge, experience, camaraderie.
In honor of this grandest and oldest of traditions, LA Opera is opening its home and welcoming all to join us in a day of fun and function. On Sunday, March 26, we are offering free activities for all ages and all levels of opera awareness. Come visit the Dorothy Chandler Pavilion between 10 am and 6 pm for interactive experiences, creative workshops, professional performances, behind the scenes tours and unique presentations. Discover the glamorous décor and rich history of this house. You’re invited to come meet the opera and get to know the great people who inhabit this space.
She fell in love with music at the age of seven. Now, Zanaida Robles is an established singer, conductor, composer, and music instructor. As an LA Opera teaching artist, she’s bringing her experience and love for the music to work by inspiring the next generation of opera lovers.
On February 12, LA Opera will host its first family day of the season. Tickets to the matinee performance of The Abduction from the Seraglio are half-off for children and teens ages 9 to 17 (as always), and there will be several activities inspired by the Roaring Twenties-set production.
Here are some of the fun activities for families on February 12:
Swing Into the 1920s Spirit with Dance Lessons
From 11:30am-12:40pm, members from MASS Historia will be on hand teaching families how to fox trot like its 1925. There will also be professional demonstrations and dancing open to everyone after the performance in Stern Grand Hall.
Members from the California Art Club, one of the oldest and largest professional arts organizations in the country, will be staged throughout the Dorothy Chandler Pavilion capturing the spirit of family day in paintings and showing families how fun art and opera can be. … Continue reading
While we’re onstage rehearsing for our upcoming productions, our education and community engagement team has been preparing to launch another special program – Open Door Days.
Open Door Days is a light-hearted introduction to the “big ideas” of opera. This new program, which begins today, offers the opportunity to explore opera’s most beloved music and get a behind-the-scenes look at how an opera house works.
This includes learning about supertitles.
Just like we do during our mainstage shows, we help the audience follow the story by translating the sung text into English. During an interactive performance at Open Door Days, our trio of intrepid singers explain and demonstrate how supertitles work during the aria “Votre toast, je peux vous le rendre” from the opera Carmen, more popularly known as The Toreador Song.
Rehearsals are in full swing for LA Opera’s Elementary In-School Opera program. This annual five-week residency brings LA Opera teaching artists and staff into 15 elementary schools across the county to rehearse, stage, and perform an opera. While teaching artists are cast as principal roles, the students are cast in ensemble and smaller roles, often getting their first taste of opera and learn about California history along the way.
LA Opera has made a mission of bringing opera into LA County schools and students to the opera. Through several programs, the company introduces and shares a love of opera with kids and teens across the county. Students learn about opera from singers and staff, and experience productions geared toward teaching them the “big ideas” about the art form. However, presenting opera isn’t enough. LA Opera collaborates with teachers to integrate the music and theater standards of the opera with their English language arts and/or history curriculum standards. LA Opera’s production of Figaro’s American Adventure, which the company performs to thousands of students at venues across the county, is a great example of this arts-integrated learning.
For the past 11 seasons, LA Opera has been honored to work with the Cathedral of Our Lady of the Angels in downtown Los Angeles to present free, large-scale community performances including Noah’s Flood, Judas Maccabaeus and The Festival Play of Daniel under the baton of James Conlon. These community opera performances include singers, actors and orchestra members from the community, performing alongside professional singers and orchestra members from LA Opera.
This season, LA Opera is reviving its successful production of Noah’s Flood (Noye’s Fludde). Conducted by James Conlon, Noah’s Flood will be performed at the Cathedral of Our Lady of the Angels on Saturday, May 6, 2017 at 4:00pm and 7:30pm.
Before marking your calendars, here’s a list of things you might not know about our production of Noah’s Flood.
Currently in its second year, LA Opera’s Cast to Class program brings opera singers into schools and students to the opera house. Opera singers travel to schools around Los Angeles County speaking to students about their craft, and then those same students attend a mainstage performance at the Dorothy Chandler Pavilion and see the singer in action. The goal of the program—as with all of our education and community initiatives—is to break down the barriers between opera and the community.
However, in the past two years other, somewhat unexpected and beautiful results, has emerged.
The following is a personal story from Clemence Yi, an 8th grade student, who has participated in LA Opera’s education programs. As a non-profit organization, LA Opera relies on donations from individuals like you to fund programs that introduce students like Clemence to opera and ensure the art form thrives for generations to come.
Help make programs like these possible. Visit LAOpera.org/Donate
Tomorrow is Giving Tuesday, a nationwide day of giving back. As a non-profit organization, LA Opera relies on donations from individuals like you to share the power of the performing arts within our community.
LA Opera’s Education and Community Engagement programs touch the lives of more than 140,000 Angelenos annually. Below is a story of some of the young lives being affected.
Help make programs like these possible. Visit LAOpera.org/Donate
For the past fifteen years, Eli Villanueva has worked with LA Opera’s Education and Community Engagement team to bring opera to the Los Angeles Community. An accomplished performer, stage director, and composer, Villanueva has performed in and composed several works for the company’s various education programs (Opera Camp, Opera Tales, and In-School Opera).
Through his work, Villanueva strives to impact how children see the world and offer them the same excitement he had when he first “caught the opera bug.”
On December 5, LA Opera kicks off its holiday music Tour with a recital at City of Hope. This is the fifth year of the beloved program that brings holiday cheer to patients at healthcare facilities across Los Angeles County, including Shriners Hospitals for Children, UCLA Harbor Medical Center, and Rancho Los Amigos National Rehabilitation Center. While the tour brings beautiful music to audiences across LA County that celebrate the season, the recitals have a healing effect on those who need it most.
Every year, LA Opera brings opera into schools through its Secondary In-School (SISO) program, through which students and teaching artist join forces over the course of 10 weeks to produce an opera. This innovative and influential program shares the art form with kids across Los Angeles. It’s an enriching experience for both students, teachers, and the artists involved in the program, including baritone Leroy Villanueva.
LA Opera believes that experiencing the arts is essential to the understanding of our own humanity – and should be made accessible to everyone. To this end, LA Opera’s Education and Community Engagement Department is continuing the innovative Community Circle seating program, which has increased our service to students, low-income seniors, and a diverse array of other communities throughout Southern California and beyond.
Through Community Circle, carefully selected groups are invited to experience opera at the Dorothy Chandler Pavilion at a significantly reduced price and, at times, for free.
At every performance, 170 tickets in the orchestra section are set aside to accommodate these special groups, supplementing the extensive education and community outreach initiatives our company does throughout the year.
As part of this year’s Community Circle initiative, LA Opera has designated two matinee performances as Veterans’ Circle days.
Have you ever wanted to perform in an opera surrounded by artists, friends, and family? Here’s your chance. For the eleventh year, LA Opera and the Cathedral of Our Lady of the Angels will produce a community opera production of Benjamin Britten’s Noah’s Flood (Noye’s Fludde), conducted by James Conlon.
Teens and opera – there’s a connection there. You might think that teenagers in Los Angeles would never think about it or avoid it, assuming it’s old fashioned and boring. But, LA Opera is challenging that narrative by bringing opera directly to Los Angeles’ secondary school students.
Every year LA Opera’s Education and Community Engagement’s program, Secondary In-School Opera (SISO), offers an original opera specifically commissioned for middle and high school students. On as many as 10 campuses across all five Los Angeles districts, students work together as an ensemble to build critical music and performance skills, under the direction of professional teaching artists from LA Opera. During one class period a week, for ten weeks each fall they put together an opera. On performance day a truck rolls up to the campus with sets, costumes, technical equipment, and more. Students are joined by several professional opera singers and orchestra members for their final dress rehearsal and a stirring performance for their peers, parents and special invited guests.
If bringing this art form to students was all SISO offered, it would be amazing.
But wait, there’s more!
LA Opera has a robust array of programs that get kids, teens, and young adults excited about opera. Several of these programs – Operawise, Opera Prep – bring students to the opera to meet with the company’s talented arts professionals. While these programs offer students the ability to network with people in the arts community, another program – the College Advisory Committee – takes networking to the next level. It offers students the opportunity to gain leadership skills while they help promote a major arts institution.
LA Opera has several education and community programs geared towards teachers and students and offering them a taste of the many careers students can pursue in the future. Opera Prep is one of those programs. It offers teachers the opportunity to bring their students to the opera and introduce them to some of the most talented professionals in the arts world. … Continue reading
On August 27, LA Opera’s award-winning Opera for Educators series returns with a day devoted to exploring our season opener, Giuseppe Verdi’s Macbeth. This program explores opera from interdisciplinary points of view with a diverse group of engaging professionals and academics. Teachers gain insight about Macbeth, the history of opera as an art form and as a form of social commentary, as well as learn about opera in general. Opera for Educators is a place for teachers to be inspired by rich content and fall in love with opera, while also discovering how opera can be used to integrate arts into classroom curriculum. Click here for more information and to purchase tickets.
Envision yourself on stage. You’re in character, singing a role you love, and connecting with hundreds of audience members. You’ve worked hard for this moment and it’s more wonderful than you could have ever imagined. It also doesn’t feel like work, because you’ve enjoyed every minute.
This is how I feel every year during LA Opera’s summer youth program, Opera Camp. It’s some of the most rewarding “work” I’ve had the pleasure of doing. This year, I will participate in the camp for the fourth time, for which I am immensely grateful. Over the past few years, I have learned so much from amazing teaching artists and directors (particularly Eli Villanueva, Leslie Stevens, and Karen Hogle Brown) and even Maestro James Conlon.
The camp only lasts two weeks, but it is an intense two weeks. It never ceases to astound me how quickly the camp passes and how much I learn in such a short period of time. Few words can do justice to how working with Eli, Leslie, Karen, and all of the other magnificent performers and teaching artists enhance my (and other kids) knowledge of acting, singing, performance, and an artist’s responsibility. Whether through the lyrics of Hans Krása in Brundibár—in which, in 2011, I played “Little Joe,” a young man, who seeks out aid from unwilling adults to save his ailing mother—or Then I Stood Up—in which, this year, I will play the role of Pastor Jim—LA Opera always makes sure we learn both about performing and the history behind each opera.