Tag Archives: Community Education
Have you ever listened to an opera recording and longed to perform it? Have you ever watched a production at the Dorothy Chandler Pavilion and longed to act? LA Opera wants to make those dreams come true. We are working with the Cathedral of Our Lady of the Angels to produce a community opera production of The Festival Play of Daniel, conducted by James Conlon, LA Opera’s Richard Seaver Music Director. The Festival Play of Daniel is an inspiring medieval musical drama, a retelling of the beloved Old Testament story of Daniel in the lion’s den.
Imagine that we lived during the time of Verdi, Puccini, Mozart, Wagner, and the other great composers of the classical repertoire and we could hear them share their thoughts and feelings during the final rehearsals of their operas before opening night. Thanks to today’s technology, we have the opportunity to hear composers, directors, artists and production team members share their thoughts about new operas being created right now.
I am a volunteer Community Educator for LA Opera, traveling through Southern California talking opera to civic and social organizations, philanthropic groups, and schools. One of the best parts of volunteering is that we get to do our own research and write our own talks about Opera. For the company’s current production, Moby-Dick, I thoroughly enjoyed learning not only about Melville’s classic (did you know that American artist Rockwell Kent designed cover images for the 1930 edition of the novel?), but also learning more about Jake Heggie’s adaptation. Heggie is a young contemporary American composer who has created a great new opera based on the book that has been praised as “the great American novel”—no simple task. He has given many interviews describing his approach to presenting the story in operatic form, and many are available on-line. In Heggie’s interviews, he explains the choices he made in composing music for the various parts of the story, the arc of the music from the start of the first act to the dramatic conclusion of the opera, the music he chose to create for each of the main characters, and other insights into the work.
Many opera lovers today approach contemporary opera with trepidation, preferring the familiar stories and music from operas they have been exposed to for years. The resources now available on the internet can help make contemporary opera more approachable, by providing insight into new operas by the composers, directors, and performers into the music. LA Opera’s current production of Heggie’s Moby-Dick offers you a chance to see a great production of an epic American opera, and the internet can provide you with a wealth of information you can review before you head to the opera house to enhance your experience.