Tag Archives: Carmen

Open Door Days – Just Another Day at the Opera

Preparing translations from Carmen for Open Door Days interactive performance

Preparing translations from Carmen for Open Door Days interactive performance

While we’re onstage rehearsing for our upcoming productions, our education and community engagement team has been preparing to launch another special program – Open Door Days.

Open Door Days is a light-hearted introduction to the “big ideas” of opera. This new program, which begins today, offers the opportunity to explore opera’s most beloved music and get a behind-the-scenes look at how an opera house works.

This includes learning about supertitles.

Just like we do during our mainstage shows, we help the audience follow the story by translating the sung text into English. During an interactive performance at Open Door Days, our trio of intrepid singers explain and demonstrate how supertitles work during the aria “Votre toast, je peux vous le rendre” from the opera Carmen, more popularly known as The Toreador Song.

Rehearsing for Open Door Days

Rehearsing for Open Door Days

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Get To Know the 2017/2018 Season

We’ve just announced the 2017/2018 season and it’s all about the new. Five of the six mainstage productions are new to Los Angeles and two of them are company premieres. There will also be two major concerts – the first celebrating the 50th anniversary of Plácido Domingo’s first appearance at the Dorothy Chandler Pavilion and the second featuring Audra McDonald.

Can’t wait for the excitement to begin? Take a look below and get to know all the 17/18 season has in store for Los Angeles.

MAINSTAGE PRODUCTIONS
(presented at the Dorothy Chandler Pavilion)

Ana María Martínez returns as the famous opera femme fatale in Carmen

(Sep 9–Oct 1, 2017; production new to L.A.) — Georges Bizet

James Conlon conducts a cast that also features Alexander Vinogradov as Escamillo and Amanda Woodbury as Micaëla. The production is directed and choreographed by Rob Ashford, winner of Tony, Emmy and Olivier Awards.

After seeing Carmen, experience The Pearl Fishers another Bizet gem

(Oct 7–28, 2017; company premiere) — Georges Bizet
Plácido Domingo and Grant Gershon will each conduct performances of a rarely performed treasure, directed by Penny Woolcock. Nino Machaidze returns as Leïla, her seventh leading role in Los Angeles, with superstar tenor Javier Camarena making his company debut as Nadir. The cast also includes Alfredo Daza as Zurga and Nicholas Brownlee as Nourabad.

Plácido Domingo and James Conlon unite for Nabucco

(Oct 14–Nov 19, 2017; production new to L.A.) — Giuseppe Verdi
Plácido Domingo sings the title role of the monumental opera that made Verdi famous, conducted by James Conlon. Directed by Thaddeus Strassberger, the production also features Liudmyla Monastyrska in her LAO debut as Abigaille, with Morris Robinson as Zaccaria, Mario Chang as Ismaele and Nancy Fabiola Herrera as Fenena.

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Opera Heroines Not To Mess With

Opera is filled with stories of betrayal, murder, and love that push characters to emotional extremes. Heroines (and anti-heroines) are often the characters most caught up in the drama. They love passionately, sacrifice greatly, and kill relentlessly.  We’ve created a list of ten multifaceted women, who aren’t afraid to lean in and stir the plot; they’re bold, brave and influential, even if it leads to their untimely death. See some of these fierce ladies at LA Opera this season and next season.

Lady Macbeth

Ekaterina Semenchuk as Lady Macbeth and Plácido Domingo as the title character in Macbeth (2016); Photo: Karen Almond

Ekaterina Semenchuk as Lady Macbeth and Plácido Domingo as the title character in Macbeth (2016); Photo: Karen Almond

In Verdi’s Macbeth (based on the Shakespeare play), Lady Macbeth takes fierce to a whole new level. After learning of her husband’s victory in battle, she urges him to kill the king and take the crown. Macbeth does so, only to be filled with remorse. It is Lady Macbeth who completes the killing and frames two guards for the king’s murder. She wants power and social standing and will stop at nothing to achieve this. Verdi expands the role of “Lady M” in his opera, giving her character even more agency, and making her the epitome of an opera anti-heroine not to mess with. She might murder you, if you do!

Brünnhilde

Brunnhilde (Linda Watson) with Waltraute (Michelle DeYoung, rear left) in Gotterdammerung (2010); Photo: Monika Rittershaus

Brunnhilde (Linda Watson) with Waltraute (Michelle DeYoung, rear left) in Gotterdammerung (2010); Photo: Monika Rittershaus

Is Brünnhilde the strongest women in the entire opera repertory?  She is after all the central character in Richard Wagner’s monumental Ring cycle, appearing in three of the four Ring operas. A complex and compelling woman with a fascinating character arc, she is defined by her bravery and intelligence. She grasps what is happening in the world with keener perception than her father (Wotan, king of the gods) or her husband (the mighty-but-unintellectual hero Siegfried) and she is unafraid to take action to do what she thinks is necessary. Like many other Wagner heroines, she makes the ultimate sacrifice for love, but Brünnhilde’s martyrdom has the greatest impact: hers redeems the entire world.

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3 Reasons Teens Should Check Out Opera

Carmen (2013); Photo: Robert Millard

Carmen (2013); Photo: Robert Millard

I remember the night I was getting ready to see my sister perform in the children’s chorus in LA Opera’s production of Georges Bizet’s Carmen. I was nine years old and it was my first opera. As I stressed over what to wear, I kept imagining what it would be like when I opened the doors to the Dorothy Chandler: Hundreds of sophisticated adults in expensive outfits sipping champagne and discussing the show, and meanwhile I’d be sitting there feeling under dressed, under prepared, and terribly confused as to what they were even talking about.

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7 Opera Halloween Costumes

This is the time of year when things get spooky – horrific even! It’s also that time when people scour various pop up Halloween stores in search of the perfect costume. Here at LA Opera, we don’t have your typical witches (Hocus Pocus, anyone?), vampires (Dracula), and ghosts (do you see dead people Sixth Sense style?). While these are all good options, consider taking your costume to an operatic level with these 9 opera Halloween costumes.

The Countess in Tchaikovsky’s The Queen of Spades is a force to be reckoned with, dead or alive. With her obsession about keeping the secret of what makes her constantly win at cards, the Countess is more fun and regal than other aristocrats (looking at you, Cleopatra!).

The cast of The Queen of Spades (2001); Photo: Ken Howard

The cast of The Queen of Spades (2001); Photo: Ken Howard

The Dragon in Elliot Goldenthal and Julie Taymor’s Grendel puts Khaleesi’s brood to shame.

Denyse Graves as The Dragon in Grendel (2006); Photo: Robert Millard

Dressing up as Don Giovanni, the title character in Mozart’s Don Giovanni is guaranteed to charm.

Erwin Schrott as the title character in Don Giovanni (2007); Photo: Robert Millard

Erwin Schrott as the title character in Don Giovanni (2007); Photo: Robert Millard

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10 Great Starter Operas

There are thousands of great operas to experience, but figuring out where to begin can be a little intimidating. However, opera newbies might be surprised to learn that they’re more familiar with opera than they think. Ever seen an episode of Looney Tunes or Tom and Jerry? Many television shows, Broadway productions and even films are based on or inspired by some of the most popular operas to ever hit the stage.

Here’s a list of ten operas that would be great for any opera newbie to check out, most of which can be seen at LA Opera this season.

Moby-Dick – It’s a classic read and will be a classic opera performance for any newbie to watch. Sung in English, Moby-Dick is easier to follow musically and newbies will also be wowed by set designer Robert Brill’s creations, which bring the high seas to life on stage. Read more about a unique stage prop called a cyc, and the Moby-Dick ship set here.

La Boheme – For the Broadway junkies out there, this is the opera that sparked the musical Rent. It also served as the inspiration for Moulin Rouge (along with La Traviata) making the plot familiar and easy to follow for first-timers.

Aida – The elaborate costumes and set design give any opera newbie enough incentive to watch this beautiful opera. The story takes place in Egypt and focuses around the enslaved Ethiopian princess, Aida. The large pyramid sets and Egyptian attire, much like Pagliacci, show how much planning and work goes into making one of these shows come to life.

Ana María Martínez as Cio-Cio-San in Santa Fe Opera's Madama Butterfly

Ana María Martínez as Cio-Cio-San in Santa Fe Opera’s Madama Butterfly

Madame ButterflyMadame Butterfly is a romantic tragedy with an easy to follow story line and gorgeous music. The set is simple, beautiful and elegant and is sure to impress anyone who sees.

The Barber of Seville – Opera fan or not, there’s a good chance you’ve heard of The Barber of Seville. With famous tunes (check out this overture) and a few good laughs, it’s sure to be a lively performance and a great show for opera newbies.

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Muppets Opera Love

From Hey Arnold! to The Simpsons, several cartoons have featured opera . Of these, The Muppet Show most notably included several opera references during its run that introduced younger audiences to the art form. Did you know that Miss Piggy wanted to sing opera? We think Miss Piggy would love our Gianni Schicchi/Pagliacci. Can you picture her singing Lauretta’s aria, “O mio babbino caro?”

Plácido Domingo as Gianni Schicchi and Andriana Chuchman as Lauretta in Gianni Schicchi (2015)

Plácido Domingo as Gianni Schicchi and Andriana Chuchman as Lauretta in Gianni Schicchi (2015)

In honor of tonight’s The Muppets series premiere on ABC, we have found some “Muppets meet opera” moments we think you’ll enjoy:

Beaker’s Habanera

https://www.youtube.com/watch?v=jXKUb5A1auM

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