Tag Archives: Anna Netrebko

Ends Soon! Your Chance To Win Tickets to Netrebko and Eyvazov In Concert

Anna Netrebko and Yusif Eyvazov

Anna Netrebko and Yusif Eyvazov

As a nonprofit, everything we do—on stage and throughout the community—is made possible by the generosity of supporters like you, who value the impact the performing arts have on the cultural fabric of Los Angeles.

When you make a tax-deductible donation by this Saturday, December 31, you will be entered for a chance to win:

  • Two tickets to Anna Netrebko and Yusif Eyvazov in Concert on May 4, 2017
  • Verismo, Anna Netrebko’s new album, on compact disc

A donation of any amount will help LA Opera and enter you for a chance to win this exciting giveaway. But hurry, this opportunity ends soon!

… Continue reading

Posted in Did You Know? | Tagged , , , , , , | 4 Comments

The Staging of an Opera Company: Plácido Domingo’s New Millennium

LA Opera ushered in the new millennium with astounding vitality. Now led by Plácido Domingo as artistic director, the young company was poised to build upon the remarkable growth that had marked its first 14 years under the direction of Peter Hemmings. While the 2000/01 season had largely been planned in advance by the now-retired Hemmings, Domingo’s impact was big, bold and immediate.

Placido Domingo as Dick Johnson and Catherine Malfitano as Minnie in <em>The Girl of the Golden West</em> (2002); Photo: Robert Millard

Placido Domingo as Dick Johnson and Catherine Malfitano as Minnie in The Girl of the Golden West (2002); Photo: Robert Millard

To open the 2000/01 season, Plácido Domingo conducted the company premiere of Aida, Verdi’s grandest opera, featuring a high-powered cast: soprano Deborah Voigt as Aida, tenor Johan Botha as Radames and bass-baritone Simon Estes as Amonasro, all making their LA Opera debuts. Just days later, Domingo held a press confer­ence to announce his ambitious future plans, which represented nothing less than a radical rethinking of what LA Opera could be. He envi­sioned fashioning LA Opera into an opera company that would push the artistic boundaries of the medium, bringing it squarely into the popular culture of Los Angeles in the new millennium. His plans included a multi-season collaboration with the dynamic leader of the Kirov Opera, conductor Valery Gergiev; an enormous expansion of the company’s repertoire to emphasize new operas and works not previously presented in Los Angeles; and even a new production of Wagner’s epic Ring cycle, the first ever created in Los Angeles. Domingo’s star power would not only attract the most prominent singers, directors and designers of the time, it would also inspire a new wave of funding, through initiatives such as the Domingo’s Angels, essential to realize his plans. At Domingo’s side was a man who shared his artistic ambition: Kent Nagano, newly announced as LA Opera’s first-ever principal conductor, a position he would take up the following summer.

LA Opera’s partnership with Valery Gergiev had begun on the evening before that remarkable press conference. To expand upon the repertoire planned by Hemmings, Domingo had added a remarkable series of Wagner concerts, showcasing the Kirov Orchestra and its celebrated conductor in their first performances in Los Angeles. It was also the first time for L.A. audiences to experience Domingo singing Wagner, as the concert featured Act One of Die Walküre and Act Three of Parsifal. The soloists included Linda Watson, who would become the company’s Wagnerian soprano of choice for the next decade, and a young soprano on the verge of superstardom, Anna Netrebko.

The cast of <em>The Queen of Spades</em> (2001); Photo: Ken Howard

The cast of The Queen of Spades (2001); Photo: Ken Howard

… Continue reading

Posted in LAO 30 | Tagged , , , , , , , , , , , , , , , , , , | Comments Off on The Staging of an Opera Company: Plácido Domingo’s New Millennium

Iconic Productions: Roméo et Juliette

“The story is an elemental one, and we do not, after all, really remember the tragedy at the end – what we remember is the power of the love between [Romeo and Juliette].” – Librettist Mark Morris on the beauty of Charles Gounod’s Roméo et Juliette

<em>Roméo et Juliette</em> (2004); Photo: Ken Howard

Roméo et Juliette (2004); Photo: Ken Howard

… Continue reading

Posted in LAO 30 | Tagged , , , , , | Comments Off on Iconic Productions: Roméo et Juliette