Tag Archives: Amadeus

4 Reasons to See The Abduction from the Seraglio Next Month

A scene from James Robinson's "Orient Express" production of The Abduction from the Seraglio; Photo: George Hixson / Houston Grand Opera

A scene from James Robinson’s “Orient Express” production of The Abduction from the Seraglio; Photo: George Hixson / Houston Grand Opera

Ever since last season’s production of Mozart’s The Magic Flute, we’ve been eagerly waiting to stage another one of Mozart’s work at LA Opera. Next month, we get to do just that! Mozart’s The Abduction from the Seraglio opens on January 28 and here are five reasons to see this riotous opera.

Did we mention that it’s Mozart?

Mozart’s effervescent score is sure to thrill audiences—even though Emperor Joseph II asked that Mozart cut a few notes from the piece when it was first presented to him. (Check out that moment and the finale of Abduction as depicted in the Miloš Forman biopic Amadeus below.)

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Music Monday: Papageno Wants A Wife

Jonathan Michie as Pagageno in The Magic Flute (2016); Photo: Craig T. Mathew

Jonathan Michie as Pagageno in The Magic Flute (2016); Photo: Craig T. Mathew Photo by Greg Grudt/Mathew Imaging

The Queen of the Night’s second aria is the arguably the most recognized piece of operatic music. Yet, there’s something so refreshing about Papageno’s Aria (“Ein Mädchen oder Weibchen” or “A Little Wife”) in Mozart’s The Magic Flute. Papageno sings his aria towards the end of Act II, after Pamina has fallen in love with Tamino. He longs for a little wife of his own to keep him company (which he says is better than wine, according to an English translation used in 1984’s hit film, Amadeus). It’s a light aria that Papageno sings, while indulging in several cocktails, and in which he gets a sneak peek at his future wife, Papagena. The aria’s theme is later reprises at the end of the opera, when Papageno and Papagena have found each other.

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