Tag Archives: Achim Freyer

The Staging of an Opera Company: The Ring and Beyond

Sieglinde (Anja Kampe) and Siegmund (Placido Domingo) in Die Walkure (2009); Photo: Monika Rittershaus

Sieglinde (Anja Kampe) and Siegmund (Placido Domingo) in Die Walkure (2009); Photo: Monika Rittershaus

LA Opera’s last decade has been marked by multi-season initiatives—celebrating influential composers, exploring special repertoire, or presenting works in innovative ways—and it all started with a ring.

By 2006, LA Opera had established itself as a force of nature in the opera world. The company staged highly regarded productions each season, remaining true to the original tenets of its founders: pushing the boundaries of the medium, nurturing young talent, building a relationship with Hollywood, and producing opera infused with the pioneering spirit of Los Angeles. It was time for the company’s next bold move: a staging of Richard Wagner’s four-part Ring cycle, Der Ring des Nibelungen. It would be a game changing project, to be sure, but nobody could have predicted how enormously this monumental project would affect the entire course of the company’s future.

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Iconic Productions: The Damnation of Faust and Madame Butterfly

“Faust embodies man in our modern industrial society; he is a self-sufficient, intellectual egocentric who has romantic ideas and longings. He strives for the independent loneliness, for power and control over the world (performances and science), and for conquest and possession (love). It is a vicious cycle that ultimately leads to the destruction of man and world.” – The Damnation of Faust director Achim Freyer

A scene from <em>The Damnation of Faust</em> (2003); Photo: Robert Millard

A scene from The Damnation of Faust (2003); Photo: Robert Millard

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Iconic Productions: The Season of Lohengrin and Mass

“Wagner wanted nothing less than that [Lohengrin] exude, through music, the mystical sensation of being in the presence of the Holy Grail, as if it could pour out ‘exquisite odors, like streams of gold, ravishing the senses…[Maximilian] Schell’s production is grim and intelligent, with a strong dose of brutal realism bringing dramatic point to Wagner’s mythic drama..” –Mark Swed, classical music critic for the Los Angeles Times

<em>Lohengrin</em> (2001); Photo: Ken Howard

Lohengrin (2001); Photo: Ken Howard

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#LAO30Images: Halloween Edition

Albina Shagimuratova as the title character in Lucia di Lammermoor (2014); Photo: Robert Millard

“There on the fountain’s edge, the shadow appeared to me. I could see her lips moving as if speaking and with her lifeless hand she seemed to call me. For a moment she stood there motionless, then she vanished all at once, and the water, earlier so limpid, had grown red, as if with blood.” – Lucia in Donizetti’s Lucia di Lammermoor

With these words, Lucia shows the world her thin grip of reality, showcasing her slip into madness later on in Donizetti’s tragic Lucia di Lammermoor. Opera is filled with such haunting moments and characters, some that are so powerful, they are difficult to forget like the above Lucia scene, or others that are truly terrifying, such as the characters in Howard Shore’s The Fly (2008).

To celebrate Halloween during our 30th Anniversary Season, we have selected 30 haunting LA Opera images. Below are images from three productions that horror junkies should know about. Other images in this series have been uploaded to our #LAO30Images: Halloween Edition Pinterest Gallery.

The Fly

“The time had come for me to attach myself to a new form.” – Composer Howard Shore on his score for The Fly

LA Opera presented the U.S. premiere of The Fly in 2008. Based on David Cronenberg’s 1986 cult horror classic, The Fly follows the story of an eccentric scientist, who while working on a teleportation device, accidentally fuses his DNA with that of a fly’s. As a result, he slowly turns into a fly, terrifying those he loves.

https://www.youtube.com/watch?v=KvJPZM2hvjY

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