Norma is the go-to opera to hear what the masterful, operatic voice can do. Yet, there’s so much more to this show than the voices. There’s an interesting directorial vision thanks to Anne Bogart, a classic take on the bel canto movement, and cast members that truly define what it means to be a great opera singer. In case you’ve missed the Norma love these past few weeks, we’ve collected a bunch of articles and videos for you to check out and see why Norma is so captivating.
Get To Know Norma
Norma is more than just a love story. It’s also an opera about the cross between the political and the personal , all showcased in the title character’s struggles.
Norma is arguably Vincenzo Bellini’s masterpiece. It’s a vocal fireworks of an opera, where singers utilize every tactic in their vocal range to express the deepest of emotions: love. Director Anne Bogart and designer Neil Patel understand this implicitly. Their Norma is a version that removes the frippery, “the spectacle of the mis en scene” and in turn fuels the vocal energy at the core of Bellini’s storytelling.
Vincenzo Bellini’s Norma is arguably the ultimate girl power opera, with a fiery and dramatic plot that’s sure to be a crowd pleaser. To help everyone get in an empowering mood, we’ve put together a list of our top 10 girl-power anthems for you to listen to until the opening night of Norma this Saturday. Here’s a list of 10 stellar girl power songs.
As I write this, Angela Meade, Jamie Barton, and Russell Thomas are on-stage rehearsing a scene from our upcoming production of Bellini’s Norma. It’s the end of Act I and Norma (Meade) has just discovered the affair between the man she loves, Pollione (Thomas), and Adalgisa (Barton), a younger priestess. If you think the story’s dramatic, you should hear their voices! Unbelievable voices – let’s call them vocal fireworks because of their equally explosive and yet restrained nature – are at the center of Norma. It’s compelling to witness.
“Casta diva” from Bellini’s Norma is one of the most recognizable soprano arias, found in pop culture from many soundtrack appearances (Mildred Pierce, anyone?) and legendary renditions by the likes of Maria Callas (see below), Joan Sutherland, and Beverly Sills.
Here you can earn more about the fascinating history of Norma and the singers, who have tackled the role.
Norma is a huge production in more ways than voice. There are some rather impressive and interesting numbers to note that an opera goer might not think about during the show.
Soprano Angela Meade, who made her LA Opera debut in 2012 as Donna Anna in Don Giovanni, returns as Bellini’s Norma, a role that catapulted her to prominence when she first performed it in concert at the Caramoor International Music Festival in 2010. She has subsequently performed in productions of Norma at the Metropolitan Opera and Washington National Opera. Shortly after rehearsals began in October, we sat down with her to get her take on this famously challenging role.
Lucia di Lammermoor. The Elixir of Love. Norma. What’s one major thing these masterpiece operas have in common? They are all part of the “bel canto” tradition of early 19th-century Italian opera. “Bel canto” directly translates into “beautiful singing,” but the movement is so much more than the beautiful arias that define it.
See Bel Canto at Its Finest
A Night in the Life of Angela Meade
Vocal Fireworks: Angela Meade on Singing Norma
NORMA Sneak Peek