Did You Know?
Opera has some of the gutsiest heroines that you don’t want to mess with who have killer arias –anthems as empowering awe-inspiring as your favorite Beyoncé, Alicia Keys, and Katy Perry songs.
Before seeing our upcoming production of Tosca –whose title character is one gutsy heroine – check out our list of music that gets you in that girl power spirit.
Tosca’s Act III aria (“Il tuo sangue o il mio amore”) – Tosca by Giacomo Puccini (opens at LA Opera on April 22)
Tosca will do anything for Cavaradossi, the man she loves – even resort to murder. In Act III, Tosca tells Cavaradossi exactly what she had to do to save his life. It’s one of the most climactic moments in the opera and showcases just how gutsy Tosca can be.
Women Rock – on television, in film and in opera – Tosca Rocks!
Girl Power has been around a long time – and it’s at the center of many conversations today. The more we’ve gotten to know the title character of Tosca – in anticipation of its opening on April 22nd – it’s clear that she is the epitome of Girl Power. She’s certainly not a wallflower – she’s courageous, she’s loyal and she’s fierce. In the spirit of Tosca, we’ve rounded up some powerful women and their stories to get us inspired and in the mood.
Daenerys – Game of Thrones
Daenerys rose from being sold by her brother in exchange for an army to becoming one of the most powerful forces in the Seven Kingdoms. Whether she’s freeing the slaves in Meereen or blowing up enemy ships via her dragons, she’s a total fighter. Judging from the latest promo, Daenerys will continue fighting for what she wants – the Iron Throne. Like Tosca, she controls her destiny. … Continue reading
On April 21, LA Opera is hosting a master class for undergraduate and graduate students taught by Eli Villanueva, LA Opera’s resident stage director for education and community engagement. Five students from different schools across Los Angeles – chosen from LA Opera’s College Advisory Committee – will sing and Villanueva will coach them on performance and musicality. Students are encouraged to sign-up for the master class to learn the secrets behind compelling storytelling, musicality, and crafting a personalized approach to opera performance.
Master classes are held at the Dorothy Chandler Pavilion and on college campuses and offer students the chance to connect with the artists that make the opera magic happen. Students watch these professionals work and see firsthand what it takes to pursue careers in the arts – and in opera, specifically.
First, there was Richard Simmons. Then, we had Billy Banks Tae Bo. Next, came Pilates and every kind of yoga you can imagine. Way back in the day, there was Jazzercise.
Now, there’s Opera-cise.
Just this morning, LA Opera has released a workout DVD called “Sweatin’ to the Opera.” From Puccini to Bizet, get into tip top shape, while listening to some of opera’s greatest hits. Get your blood pumping and your metabolism soaring, while you strike poses inspired by the staging in LA Opera’s iconic productions, and workout alongside some of LA Opera’s favorite singers.
The Opera-cize Craze is about to take off. Whether you’re looking for a beach body, a six-pack or just to burn off some steam, there’s a workout for you. Here’s a peek at some of the poses that will surely get you that perfect physique.
Get Your Tales of Hoffmann on with our Doll Arms Press
Perfect for building boulder shoulders
LA Opera is a non-profit organization dedicated to the greater good. We rely on generous contributions to produce the world-class opera you see on the stage, around the county and through our many education and community engagement programs. By becoming a member of the Friends of LA Opera with a tax-deductible contribution, you’re helping us share opera with the Los Angeles community – and receiving several benefits along the way, such as the ones listed below.
Brian Kellow wasn’t always an opera lover. One fateful performance of The Tales of Hoffmann changed his mind. He shares his story below.
A favorite topic among opera lovers is the Great Conversion Moment—the performance at which the key mysteriously turned, and opera became something more than an outpouring of beautiful melody and instead became something we began to understand on a gut level, something we began to crave.
Together again – LA Opera Music Director, James Conlon and Patricia Racette (Salome) will host a special CD signing.
When: Thursday, March 16, 2017 – immediately following the performance
Where: Dorothy Chandler Pavilion – Grand Avenue Lobby
E.T.A. Hoffmann (1776-1822), who in homage to Mozart changed his third name to that of Amadeus, was a writer, music critic, painter, graphic artist and lawyer—a man of many talents who lacked the most important gift of all: how to find happiness.
When Hoffmann was two years old, his father abandoned his mother, who returned to live with her parents. He was surrounded by a depressed mother who was always sick, an unmarried aunt and a retired uncle—this was hardly an ideal environment for a happy childhood. A restless boy, he grew up rebellious and nonconformist. To escape this oppressive reality, Hoffmann developed an enormous fantasy life, from which he fashioned his own surreal world. He became an extraordinary exponent of supernatural, bizarre and almost diabolical tales.
Though very successful as a writer, he never overcame the frustration of not being the musician he had dreamed of becoming. Nor was he ever successful in finding the stability he searched so much for in his private life. A very unstable man, he always fell in love with the wrong woman at the wrong time, knocking on the forbidden doors of madness, alcohol or artificial paradises.
If E.T.A. Hoffmann were alive today, he’d be on The Bachelor. He’d be meeting the wrong women, falling for them, and ultimately having his heart broken. EVERY TIME.
While it sounds like he’s a brooding artist with a dark soul – he’s really just a drunk guy at a tavern tripping out on his lost loves.
Over the course of his short life, Hoffmann falls for three women…and each failed love story he shares transports you to a world of whimsy, deception or magic spells.
(Check out The Tales of Hoffmann movie below to get a taste of the magic the opera inspires.)
Rather than three sheets to the wind – Hoffmann tells three tales.
The tradition of opening one’s home up to visitors, welcoming them in to explore and discover and become a part of the intimate environment, has been an evolving part of community living for centuries. Open house history dates back at least as far as biblical times and exists in many cultural and religious customs. From weddings to wakes, royalty to presidents, realtors to school teachers, these communal celebrations are an opportunity to welcome guests into your space and share something—knowledge, experience, camaraderie.
In honor of this grandest and oldest of traditions, LA Opera is opening its home and welcoming all to join us in a day of fun and function. On Sunday, March 26, we are offering free activities for all ages and all levels of opera awareness. Come visit the Dorothy Chandler Pavilion between 10 am and 6 pm for interactive experiences, creative workshops, professional performances, behind the scenes tours and unique presentations. Discover the glamorous décor and rich history of this house. You’re invited to come meet the opera and get to know the great people who inhabit this space.
James Conlon’s remarkable work with the LA Opera Orchestra has elevated LA Opera’s artistry to a new level of excellence. He has also brought lost works to life through the Recovered Voices project and, working closely with Plácido Domingo, has contributed enormously to developing a love for opera in our city.
From convening, citywide festivals to packing the Eva and Marc Stern Grand Hall during his pre-performance talks, Mr. Conlon has become one of the most visible advocates for classical music in Los Angeles.
This season, Maestro Conlon celebrates his tenth anniversary as LA Opera’s Richard Seaver Music Director, and he recently extended his contract to the 2020/2021 season.
LA Opera invites you to celebrate Maestro Conlon’s achievements by supporting the James Conlon Tenth Anniversary Initiative, which will provide critical funds to support new programing and further enhance our acclaimed orchestra.
Additionally, we’ve curated some articles, videos, and a podcast below to help you get to know Maestro Conlon and illustrate why he has become a beloved figure in the cultural life of Los Angeles.
It’s Oscars time and we are all waiting with baited breath to see whether La La Land takes home best picture. We’re also excited to see the glamorous looks stars don on the red carpet – some of which could totally be pulled straight from the opera stage.
Hispanics for LA Opera was launched in February 1992 at the request of Peter Hemmings, then general director of LA Opera, with the enthusiastic support of Plácido Domingo. They were interested in engaging this vibrant, growing segment of the Los Angeles community education and welcoming them to the opera. Hemmings reached out to LA Opera subscribers and patrons Alicia and Ed Clark, who stepped forward to lead this effort by founding HLAO. Their leadership initiated an effort that has been an integral source of support for building the understanding and awareness of the operatic art form in Hispanic communities throughout Los Angeles.
Over the past 25 years, HLAO volunteers have enthusiastically promoted opera throughout the Hispanic community, encouraging attendance at performances and coordinating social activities that offer opportunities to learn more about the art form while getting to know other opera enthusiasts. They have enjoyed a large measure of success. In 1992, Hispanic attendees at LA Opera performances made up just 1% of the overall audience; today that figure is more than 14%. This is more than a tenfold increase!
In addition to promoting opera throughout the Hispanic community, HLAO hosts the annual Plácido Domingo Awards. This special event honors great Hispanic opera artists and civic leaders for their community service and support of the mission of HLAO. Over the years, a number of legendary artists have been the recipients of the award including Ramón Vargas, Ana María Martínez, Erwin Schrott, Juan Diego Flórez, Rolando Villazón, Suzanna Guzmán and Ailyn Pérez.
Share Set in the 1920s aboard the Orient Express, The Abduction from the Seraglio features some interesting props to look out for when seeing the show. Here’s a list of our top three favorites – see if you spot them … Continue reading
When Anthony and Marta Richardson each bought tickets to a performance of LA Opera’s Simon Boccanegra in 2012, they had no idea they would end up finding love at the opera.
Before they ever met, Anthony and Marta were both frequent opera-goers. Marta, a teacher at the time (she’s now an elementary school principal at Palos Verdes Peninsula Unified School District), saw her first performance at LA Opera in 1997 and had since invited representatives of the Music Center and the LA Opera to speak to her students about opera and music. Anthony – an actor/singer turned financial consultant – had also attended shows at LA Opera since the late 1990s, even volunteering with the Opera League of Los Angeles. His assignment – shuffling artists from LAX to the Dorothy Chandler Pavilion.
In March 2012, Anthony had tickets to see Simon Boccanegra.
“I had never seen Plácido Domingo perform before and was very excited,” says Anthony.
When his friend canceled, Anthony decided to have dinner at Nick & Stef’s Steakhouse, thinking he might meet someone to whom he could give his extra ticket.
“When I got to the steakhouse, I spotted Marta and her friend at the bar and strategically sat next to them,” recalls Anthony. Marta replies jokingly, “That’s how men operate.”
From the bonnet à la Figaro (an 18th-century fashion inspired by the hero of The Barber of Seville and The Marriage of Figaro), to the 1920s costumes in LA Opera’s The Abduction from the Seraglio, opera and fashion have always influenced each other. To celebrate the inextricable link between opera and fashion, LA Opera has partnered with FIDM Museum at the Fashion Institute of Design & Merchandising in downtown Los Angeles and inspired an exhibition called “Exotica: Fashion & Costume of the 1920s.”
This is the second time that LA Opera productions have inspired an exhibition at FIDM. In March 2015, FIDM Museum presented “Opulent Art: 18th-Century Dress.” This exhibition featured a rare original 18th-century Figaro costume worn during performances of The Marriage of Figaro. The exhibition also coincided with the company’s Figaro Unbound initiative (presented in connection with the company’s “Figaro Trilogy”: Corigliano’s The Ghosts of Versailles, Rossini’s The Barber of Seville and Mozart’s The Marriage of Figaro.
This time, “Exotica: Fashion & Costume of the 1920s” explores how films set in exotic locales influenced the fashion of the day. This exhibition is inspired by LA Opera’s production of The Abduction from the Seraglio, which is set in the Roaring Twenties on the famous Orient Express, traveling from Istanbul to Paris.
Surrounded by a giant Orient Express structure, various “exotic” clothing is displayed as if on a platform about to board the train. Several of the pieces are not so different from what the characters in The Abduction from the Seraglio might wear on their journey around the world, also reflecting the “east meets west” nature of the opera – and of Hollywood cinema in the 1920s (see The Sheik or The Thief of Baghdad).
On February 12, LA Opera will host its first family day of the season. Tickets to the matinee performance of The Abduction from the Seraglio are half-off for children and teens ages 9 to 17 (as always), and there will be several activities inspired by the Roaring Twenties-set production.
Here are some of the fun activities for families on February 12:
Swing Into the 1920s Spirit with Dance Lessons
From 11:30am-12:40pm, members from MASS Historia will be on hand teaching families how to fox trot like its 1925. There will also be professional demonstrations and dancing open to everyone after the performance in Stern Grand Hall.
Members from the California Art Club, one of the oldest and largest professional arts organizations in the country, will be staged throughout the Dorothy Chandler Pavilion capturing the spirit of family day in paintings and showing families how fun art and opera can be. … Continue reading
It’s time to dig out those flapper costumes and dapper suits! To celebrate our 1920s set production of Mozart’s The Abduction from the Seraglio, we’re inviting you to come to the February 16 performance dressed in your Roaring Twenties best.
Wear A 1920s Costume, Get Free Champagne – Here’s How It Works
- Arrive at the Dorothy Chandler Pavilion in your costume at least 20 minutes prior to the start of the show
- Get your picture taken on our red carpet by our Social Media Team
- Allow us to post on LA Opera social media and/or post on your Social Media accounts and tag us
- Receive a champagne voucher redeemable at any of the bars inside the Dorothy Chandler Pavilion.
- Only one free champagne voucher per person in costume.
- Must be 21 and over to receive a voucher. While supplies last. Valid only on Thur. Feb 16, 2017.
While we’re onstage rehearsing for our upcoming productions, our education and community engagement team has been preparing to launch another special program – Open Door Days.
Open Door Days is a light-hearted introduction to the “big ideas” of opera. This new program, which begins today, offers the opportunity to explore opera’s most beloved music and get a behind-the-scenes look at how an opera house works.
This includes learning about supertitles.
Just like we do during our mainstage shows, we help the audience follow the story by translating the sung text into English. During an interactive performance at Open Door Days, our trio of intrepid singers explain and demonstrate how supertitles work during the aria “Votre toast, je peux vous le rendre” from the opera Carmen, more popularly known as The Toreador Song.
It’s that time of year again. The Season of Love. It’s the perfect time to show your romantic side, and nothing says romance like an evening of Mozart or Strauss. Ever thought of surprising the ones you love with the gift of opera on Valentine’s Day? Here’s a list of the most romantic operas to give your significant other the opera experience of a lifetime.
This Mozart treasure is perfect for a fun, romantic evening at the opera. Our production is set in the 1920s and has the feeling of a classic screwball comedy (think Bringing Up Baby). It’s light, it’s funny and it’s perfect for any first – first opera, first date. With two intermissions, there’s time to share some bubbly while enjoying an evening together.
En route from Istanbul to Paris, two beautiful damsels in distress are held captive aboard the luxurious Orient Express by a notorious Ottoman royal. It’s up to their faithful lovers to rescue them before it’s too late! James Conlon conducts a brilliant ensemble of soloists, including bass Morris Robinson as the Pasha’s delightfully nefarious henchman Osmin. Hamish Linklater makes his company debut in the pivotal role of the Pasha Selim.
If you’re looking for a short, but thrilling night at the opera, Salome is the opera to give your loved on Valentine’s Day. Filled with unbridle passion and seduction, this one will give you lots to talk about.