Monthly Archives: May 2017
If you’re reading this, you’ve probably been to a few operas, maybe more, and have experienced the magic of the performance and all that comes with it.
But, if you’re buying tickets to shows one at a time you might be missing out on savings and the opportunity to really enjoy all that comes with an evening at the opera.
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LA Opera has several programs that bring music – opera, specifically – into schools and into the Greater Los Angeles community. One of these programs, Voices for Tolerance, offers students the opportunity to explore tough issues through music.
In this program, LA Opera collaborates with teachers to create a multi-week, choral program that fosters a love of music rooted in classroom curriculum. Voices for Tolerance features themes of community building, social justice, and cooperative action. Projects culminate in live performance and have included original operas based on classroom personal heritage projects, choral recitals exploring folk and protest music from around the world, and a pageant inspired by the Greek Olympics.
LA Opera’s 16/17 season is almost over. But, you don’t have to wait until September (and the opening of Carmen on September 9th). Here are a few ways to get your opera fix this summer.
Hear LA Opera’s Artists Around Town
Mozart: Truth Through Beauty
LA Opera’s artist-in-residence Matthew Aucoin, joined by the rising stars of the company’s Domingo-Colburn-Stein Young Artist program, presents a musical exploration of Mozart’s unique artistic trajectory.
NEWS: We’re thrilled and honored that Mukhtar Mai – whose historic bravery inspired “Thumbprint” – is traveling from Pakistan to witness her story told and join us for the talkbacks after each performance. If you don’t have a ticket yet, this is your chance to be part of this powerful moment.
A story set in Pakistan about a woman who rises from tragedy to empower others like her is the basis of Thumbprint – LA Opera’s next Off Grand presentation. We spent some time with Kamala Sankaram, who composed and also stars in Thumbprint, and got to know what led her to the story of Mukhtar Mai.
Kamala Sankaram’s life has always been filled with music. She started studying piano at age six and spent hours listening to classical music, traditional Hindustani music, and Broadway music. As an adult, she fell in love with the complexity of the music in opera, and would ultimately pursue a career first as a singer and later as a composer.
There’s something about the entertainment industry that begs for people to be larger than life – some could say that this is especially true of those who perform opera for a living. There’s just something about that grand voice and flamboyant stage presence that makes opera resplendent.
Another art form that has that same grandness is improv comedy. Wasn’t quite what you were expecting to hear was it?! But, improv comedy has been around just as long as opera has – especially in the form of entertainment. And, it requires the same over-the-top, striking stage presence that opera requires – but, instead of taking your breath away with those glass-shattering high notes, improv comedy sets out to give you those deep belly laughs that leave you with a six-pack when the night is done. Or at least feeling like you’re well on your way to developing a six-pack.
Sometime in the company’s history, someone had the bright idea (read: best idea ever!) to have opera and improv comedy join forces. What could possibly be funnier than seeing an opera star comedically navigate their way through Don José pining over Carmen with an aria about Facebook stalking the love of his life?
We can’t guarantee that’s exactly what you’ll get, but you will get some stunning singing and laughs to boot when our Domingo-Colburn-Stein Young Artists head to the legendary Groundlings Theatre on May 15 and 16 to show off their opera and comedy skills. Under the guide of teacher Phyllis Katz – the Young Artists took months of classes to exercise their funny bone before hitting the stage. Although, Katz herself is no stranger to opera singers — in the seven years since she began working with young artists, Katz has developed an individual approach to teaching opera singers, covering everything from basic improv skills to character work.
Soprano Melody Moore believes in female empowerment — perhaps that’s why she’s so drawn to the Lady Macbeths and Floria Toscas of the operatic stage. Luckily, these are the types of roles she’s been polishing since her earliest days as a budding singer, meticulously analyzing each and every leading lady throughout her development. But Moore is all grown up now, and on May 13 she once again steps into the title role of Puccini’s Tosca at LA Opera, under the baton of Maestro Grant Gershon.
With her fifth production of Puccini’s masterpiece underway, Moore doesn’t let repetition affect her artistic integrity. In her own words, it’s a role that changes as she matures, and her understanding of the character has zig-zagged across the mood board.
Patrick Blackwell has always wanted to sing. His mother was an avid opera-goer and Blackwell grew up in the shadow of the Kennedy Center in Washington, D.C. His passion for singing led him to Duke Ellington School of the Arts and later Julliard. As a professional singer, he’s traveled the world performing and in recent years has made a home for himself at LA Opera.
On May 6, Patrick Blackwell stars as Noah in Benjamin Britten’s Noah’s Flood. As part of our Cathedral Project and presented at the Cathedral of Our Lady of the Angels, Noah’s Flood brings together opera professionals with members of the Los Angeles community for an opera experience unlike any other. This is Blackwell’s first time performing an opera at the Cathedral and it’s an experience the bass-baritone is looking forward to.